Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Manchester University, 2000
ISBN 10: 0719055253ISBN 13: 9780719055256
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Hardback. Condition: Fine.
Rutgers University Press, New Brunswick 2000. x, 249 pp. Paperback. 24x17 cm. Slightly worn. Illustrated.
Published by Manchester University Press, 2000
ISBN 10: 0719055261ISBN 13: 9780719055263
Seller: Shadow Books, Norwich, United Kingdom
Book
Soft cover. Condition: New.
Published by Rutgers University Press, New Brunswick NJ, 2001
ISBN 10: 081352900XISBN 13: 9780813529004
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Book
Paperback Edition. Condition: Near Fine. 248 pages illustrations throughout. Minor rubbing and wear to the paper covers and edges. List of Illustrations. Introduction by James Aulich and John Lynch. Notes and Index.
Published by Manchester University Press 2000, 2000
ISBN 10: 0719055261ISBN 13: 9780719055263
Seller: ROBIN SUMMERS BOOKS LTD, Aldeburgh, United Kingdom
Book First Edition
Condition: New. First edition. Paperback. Fine and unread. Barber Institute s Critical Perspectives in Art History Series.
Published by Rutgers University Press, 2001
ISBN 10: 081352900XISBN 13: 9780813529004
Seller: Joe Orlik Books, Manchester, United Kingdom
Book
Soft cover. Condition: As New. No Jacket. Book softcover 16 colour plates, 40 b&w figs, pp248Essays by Aulich, James; Lynch, John; Wolff, Janet; Corbett, David Peters; Peaker, Giles; Gilmour, Pat; Faulkner, Simon; Atkinson, Terry;;Woods, Alan; Deppner, Martin Roman. Condition As New.
Published by Manchester University, 2000
ISBN 10: 0719055253ISBN 13: 9780719055256
Seller: Cambridge Rare Books, Cambridge, GLOUC, United Kingdom
Book
HARDCOVER. Condition: VERY GOOD. 2000. Manchester University. Hard Cover. Book- VG+, gilt titles on front board and spine, black boards. 9.5x7. 249pp. 16 colour plates, 40 b/w illus. Kitaj was a strikingly original artist, one of the very few painters in Britain since the 1960s to have inspired a generation of followers. This collection of essays reveals Kijat to be an artist who is not easily defined within the existing discourses of art-historical analysis.