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Pinsker, Sarah A Song for a New Day ISBN 13: 9781984802583

A Song for a New Day - Softcover

 
9781984802583: A Song for a New Day
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In this captivating science fiction novel from an award-winning author, public gatherings are illegal making concerts impossible, except for those willing to break the law for the love of music, and for one chance at human connection.

In the Before, when the government didn't prohibit large public gatherings, Luce Cannon was on top of the world. One of her songs had just taken off and she was on her way to becoming a star. Now, in the After, terror attacks and deadly viruses have led the government to ban concerts, and Luce's connection to the world--her music, her purpose--is closed off forever. She does what she has to do: she performs in illegal concerts to a small but passionate community, always evading the law.

Rosemary Laws barely remembers the Before times. She spends her days in Hoodspace, helping customers order all of their goods online for drone delivery--no physical contact with humans needed. By lucky chance, she finds a new job and a new calling: discover amazing musicians and bring their concerts to everyone via virtual reality. The only catch is that she'll have to do something she's never done before and go out in public. Find the illegal concerts and bring musicians into the limelight they deserve. But when she sees how the world could actually be, that won’t be enough.

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About the Author:
Sarah Pinsker's Nebula and Sturgeon Award-winning short fiction has appeared in Asimov's, F&SF, Uncanny, Strange Horizons, as well as numerous other magazines, anthologies, year's bests, podcasts, and translation markets. She is also a singer/songwriter who has toured nationally behind three albums on various independent labels. Her first collection, Sooner or Later Everything Falls Into the Sea, was released in early 2019 by Small Beer Press. This is her first novel. She lives with her wife in Baltimore, Maryland.
Excerpt. © Reprinted by permission. All rights reserved.:
***This excerpt is from an advance uncorrected copy proof***

Copyright © 2019 Sarah Pinsker

Chapter 1 - Luce

172 Ways

 

There were, to my knowledge, one hundred and seventy-two ways to wreck a hotel room. We had brainstormed them all in the van over the last eight months on the road. As a game, I'd thought: 61, turn all the furniture upside down; 83, release a pack of feral cats; 92, fill all the drawers with beer, or marbles, 93; 114, line the floor with soapy plastic and turn it into a slip 'n slide, et cetera, et cetera.

In my absence, my band had come up with the one hundred and seventy-third, and had for the first time added in a test run. I was not proud.

What would Gemma do if she were here? I stepped all the way into their room instead of gaping from the hallway and closed the door before any hotel employees could walk past, pressing the button to illuminate the Do Not Disturb sign for good measure. "Dammit, guys. This is a nice hotel. What the hell did you do?"

"We found some paint." Hewitt's breath smelled like a distillery's dumpster. He lingered beside me in the vestibule.

"You're a master of understatement."

All their bags and instruments were crammed into the closet by the entrance. The room itself was painted a garish neon pink, which it definitely hadn't been when I'd left that morning. Not only the walls, either: the headboards, the nightstand, the dresser. The spatter on the carpet suggested somebody had knifed a Muppet and let it crawl away to die. For all the paint, Hewitt's breath was still the overwhelming odor.

"Even the TV?" I asked. "Really?"

The television, frame and screen. Cable news blared behind a drippy film of pink, discussing the new highway only for self-driving cars. We'd be avoiding that one.

JD lounged on the far bed, holding a glass of something caramel-colored. His shoes were pink. The bedspread, the site of another Muppet murder.

"We considered doing an accent wall." He waved his glass at the wall behind the headboard.

April sat on the desk, sticks in hand, drumming a soundless tattoo in the air. "How was your day?" she asked, as if nothing was wrong.

"Excuse me a second." I ducked into the hall and fumbled for the keycard to the room I shared with April. Our room was quiet and empty and, most importantly, not pink. I leaned my guitar bag in a corner and let out a breath I hadn't known I was holding, then lay back on the bed and dialed Gemma.

"We're not supposed to be out here alone," I said when she picked up. "When are you coming back?"

She sighed. "Hi, Luce. My brother is fine, thanks for asking. The bullet went straight through him without hitting any organs."

"I heard! I'm glad he's okay! I'm sorry, I should have asked first. But do you think you're coming back soon?"

"No, Luce. I don't. What's the matter? Do you need something?"

"A tour manager. A babysitter for these giant children you ditched me with, so I can concentrate on music instead of being the adult in the room. Never mind. I shouldn't have called, and I'm sorry I bothered you. I hope your brother gets well soon."

I disconnected. We should have been able to handle a few weeks on the road without a tour manager. Lots of bands did fine without one, but those were probably real bands, where everyone had a vested interest; I'd played solo until the label hired these so-called professionals to back me on tour.

Hewitt let me in again when I knocked. Inside the fridge, two large bottles had been crammed in sideways, gin and tequila. The painted mini-fridge left my fingertips pink and tacky. My prints made me complicit, I supposed.  I pulled out the tequila and took a long slug straight from the bottle. Cheap, astringent stuff. No wonder they were chilling it. The armchair under the window was paint-free, so I made my way to it with the tequila, trying not to touch anything else.

"Well, April," I began, answering her question as if I hadn't left, "since you asked, my day started at five this morning, with stops at two different TV morning shows. Then I did a radio call-in show. Then I spent two hours on the phone in a station parking lot arguing with the label about why we still don't have our new T-shirts. Then I did a couple of acoustic songs for a local music podcast, ate a highly mediocre burrito, and came back here to find you've been far more productive than me. I mean, why did I waste all that time promoting our show tomorrow night when I could have been helping you redecorate?"

They were all glare-resistant; not even April had the decency to look uneasy. They knew I had the power to fire them if I wanted, but I wouldn't. We got along too well onstage.

It wasn't in me to maintain stern disinterest. "So where did you get the paint?"

April grinned. "We looked up where the nearest liquor store was, right? We had to run across the highway to get there, and there were like six lanes, and it was a little, uh, harrowing. So on the way back, we tried to find a better place to cross, like maybe there was a crosswalk somewhere, and then we passed this Superwally Daycare that had a room being redone and it was completely deserted, right? But the door was open, I guess to air it out."

A groan escaped me, and I took another chug of tequila. "You stole from a daycare?"

"A Superwally Daycare," said JD. "They won't be going broke on our account, I promise you. Anyway, we also went back out again to the actual Superwally and spent some money there that we wouldn't have spent otherwise, so it cancels out."

I was almost afraid to ask. "What else did you buy?"

"That's the best part." Hewitt flipped the light switch.

The room lit up. The television and the wall behind the headboard had been painted over with a glow-in-the-dark wash. On the wall backing the bathroom, our band logo: a sparking cannon. April's drumsticks glowed too; if only they'd stuck to painting things they owned.

"I hope one of you pulled a Cheshire Cat, because I need somebody to punch in the teeth."

JD's voice came from beside me. "Like I said: we considered an accent wall, but then we decided against it."

I put the bottle to my mouth to keep myself from saying something I'd regret later. Dozed off for a second in the chair, then started awake when the lights came back on. April had disappeared, probably back to our room; JD was asleep on his bed; Hewitt was singing to himself in the bathroom. I might have rested my eyes for longer than I thought.

The tequila walloped me as I lurched to my feet. I tried to channel Gemma, our absent tour manager. She'd gone home three weeks before, after her brother was shot eating lunch at a mall. The label hadn't wanted us to keep touring without her, but I had promised we'd be fine. I shouldn't have called her earlier; this wasn't her fault. Anyway, even if she'd been here today, she'd have been driving with me, managing the promotional appearances so I could play the pure artist. The band would still have been left to their devices, though they'd probably have thought twice about pulling a stunt like this with her around to ream them out.

What would Gemma say? I channeled her to mutter, "If and when the hotel bills us for damages, it's coming out of your salaries. You shouldn't need a babysitter when I leave you alone for one single day. I'm supposed to be the artist here. If anybody is entitled to pull shit, it's me. You're supposed to be the professionals, dammit."

Neither of them responded. That was as far as I needed to take playing grownup. It was the label's fault they hadn't sent a new tour manager, and the label's fault the band got stuck at a suburban hotel all day while I left with the van to do promotional work solo. My jealousy that they kept bonding and I kept getting left out was best tamped down.

I took their tequila with me and went next door. April lay on the far bed, her back to me, though I had a feeling she was pretending to sleep. The bed looked tempting, but my face broke out if I didn't scrub off my makeup, and I reeked of the podcaster's unfiltered cigarettes. I kicked my smoky clothes to the corner and stepped into the shower. Closed my eyes and let the water hit me. Shampooed my hair, eyes still closed.

I didn't immediately recognize the next sound. Like a school bell, except it kept on signaling. My hazy brain took more than a few seconds to declare it a fire alarm.

"Shit," April said, loud enough for me to hear over the shower. "What is that?"

I shut off the water and regretfully pulled my smoky clothes back onto my wet self. Ditched the underwear, stuffed the bra under my arm. Shoved my feet into my boots, sans socks. "Fire alarm. Though if those yahoos in the next room turn out to be the cause, we're leaving them here and moving on as a duo."

My backpack still lay at the foot of the bed. Wallet, phone, van keys, laptop, tour bible were all in there. I dropped the smoky bra into it, then slung backpack and guitar bag over my right shoulder. If we were talking real fire, those were the possessions I meant to keep.

April trailed me down the hallway, where a flashing light joined the clanging bell. We ran into the guys in the stairwell. JD was naked except boxer shorts, gig bag, and tattoos. Hewitt wore the hotel bathrobe, covered in paint; he'd grabbed his guitar too. One look told me neither of them had pulled the alarm. Other people joined us on the stairs, hurried but not panicked. They gave the guys a wide berth.

The stairs spilled us out into a side parking lot. A crowd already milled on the asphalt, watching the building. A few people sat in their cars, a better idea. A gust of cold wind hit me as I hit the pavement, plastering my wet clothes to my body.

"Get in the van," JD said. "Can't let our singer get sick running around with soapy hair."

"Says the bassist in boxers."

He shrugged, though goose bumps had risen on his arms and legs.

He, April, and I walked past the crowd to where I had parked the van in the brightest spot available when I got back an hour ago – was it only an hour ago? I fumbled for the keys in my bag, and we piled in.

"Where'd Hewitt go?" I asked, turning on the van and cranking the heat. My suitcase was still in the room, along with any warm clothes I had with me.

"He hung back to figure out what was going on," JD said.

"So it wasn't you guys?"

"Ha ha. You think we'd pull a stunt like that?"

"You do remember that an hour ago you were showing me a DIY hotel paint job, right?"

"That's different. It didn't hurt anybody. I'd never."

I could have pointed out they'd cause problems for whomever was responsible for cleaning their room after we checked out, or that they might hurt my relationship with the label. But I knew what he meant. Leave these guys too long and they'd get into some stupid human tricks, but they wouldn't have risked panicking sleeping kids. They wouldn't have wanted somebody tripping and falling on the stairs because of a prank. I was pretty sure. I'd only been playing with them for eight months now, but I thought I knew them at least that well.

The back door slid open and Hewitt climbed into the third row. "It's not a fire. Bomb threat."

JD frowned. "Maybe we should get out of here."

"We can't go," I said, giving him a look. "Most of our stuff is still upstairs. Besides, if it's a bomb threat, it'll look bad for us to leave, considering everyone in that stairwell was already giving you guys the side-eye."

JD wasn't calmed. "Shouldn't they be moving people farther from the building if they think there's a bomb? Or going through it with robots or dogs or something?"

Hewitt nodded. "They're waiting for a bomb team."

"Are bomb sniffing dogs a thing?" April asked. "I thought they were just for drugs."

"There are definitely bomb sniffing dogs," said JD. "Also bomb sniffing bees and bomb sniffing rats, but I think those are used in combat zones, not hotels."

A thought nagged at me. "Wait. Where are the fire trucks? Or the police? I thought I heard sirens, but they aren't here."

Hewitt shrugged. "Busy night, I guess."

We watched for a while. I guessed the people still standing in the parking lot hadn't thought to bring their keys out. A few parents juggled children from hip to hip. I leaned my head against the window and closed my eyes. The others did the same, except JD. He sat tapping a foot against the frame, hard enough to make the whole van shake.

"Will you stop?" April tossed an empty soda can at him. "Try to get some sleep."

That wasn't going to happen. I nudged him. "Grab your bass."

He cocked an eyebrow at me. "What?"

"Your bass. Come on."

I climbed into the backseat and returned a moment later with my little practice amp, the one I'd bought with babysitting money when I was fifteen, along with my crappy first guitar. It wasn't the best sounding amp, but it would do for my purpose. About fifty cold, scared looking people still stood in the parking lot, the ones who hadn't grabbed their keys or their wallets, who couldn't escape to their cars. If they were stuck, the least we could do was distract them for a little while.

JD found an outlet on the cement island by the parking lot's gate, and we both jacked our guitars. A couple of people reoriented themselves to watch us instead of the hotel.

"What are we playing?" JD asked.

"You pick," I said. "Something cheerful. Something that'll work even if they can't hear the vocals. 'Almost Home,' maybe?"

He didn't answer, but instead started playing the opening bass line. I followed with my guitar part, and then started to sing as loud as I could without straining my voice. I hadn't noticed April following us, but when the second verse started, a scratchy beat locked in with JD, and I glanced behind me to see she was playing a pizza box.

The parents brought their kids over – I imagined them grateful for any diversion at that point – and then others followed. The hotel must have appreciated the distraction too, since they didn't stop us. The police might have taken issue with a two AM concert, but they still hadn't arrived.

We had the crowd now. When we played "Blood and Diamonds," a teenager said, "Mom! They're from SuperStreaming! They're famous!" My surge of pride accompanying that statement had gotten more familiar, but I still wasn't used to it. I'd never expected anyone to know my songs.

Hewitt had discarded the bathrobe somewhere. I made a mental note to make sure he found it again so we didn't get stuck paying, then remembered it was covered in paint, so we probably owned it now in any case. He danced in front of us wearing a kilt and a band sweatshirt. At least that way the crowd knew who was playing for them. If I were a better shill – if I didn't feel self-conscious doing it – I would have told them about our show the next night at the Peach.

We played eight songs before a haggard-looking hotel manager made his way to us. His upside-down nametag read “Efram Dawkins,” and his hair was flat on one side. I wondered where he'd been sleeping.

"I'm sorry," he said.

 "It's okay, not a problem, we'll...

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  • PublisherBerkley
  • Publication date2019
  • ISBN 10 1984802585
  • ISBN 13 9781984802583
  • BindingPaperback
  • Number of pages384
  • Rating

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