China Dream - Hardcover

MA JIAN was born in Qingdao, China. He is the author of seven novels, a travel memoir, three story collections, and two essay collections. His work has been translated into twenty-six languages. Since publication of his first book in 1987, all his work has been banned in China. He now lives in exile in London.

FLORA DREW’s translations from the Chinese include Ma Jian’s Red Dust, The Noodle Maker, Stick Out Your Tongue, Beijing Coma and The Dark Road.

Praise for China Dream

Library Journal, One of the Best Books of the Year in World Literature
A Financial Times Best Book of the Year
A The Millions Most Anticipated Book of the Month and Year
One of Vulture's Spring Books to Watch Out For
O, The Oprah Magazine, 1 of 25 Books to Give the World's Best Dad on Father's Day
An Entertainment Weekly New & Notable Hot Fiction Title

"Red Guards meet Kurt Vonnegut . . . powerful!" ―Margaret Atwood, via Twitter

"Teaming up with fellow dissident Ai Weiwei, who created the book’s jacket artwork, Ma demonstrates once more the power of fiction to speak truth to those who would silence their critics." ―Time, 1 of the 100 Must-Read Books of the Year

“China Dream is a sharper political allegory than Mr. Ma’s earlier novels. It crackles with bruising satire of Chinese officialdom, and an acerbic wit that vaguely recalls Gary Shteyngart’s sendup of Russian oligarchs in Absurdistan, or even Nikolai Gogol’s portraits of Russia’s provincial aristocrats in Dead Souls . . . China Dream may be the purest distillation yet of Mr. Ma’s talent for probing the country’s darkest corners and exposing what he regards as the Communist Party’s moral failings." ―Mike Ives, The New York Times

"Mr. Ma's critique of the totalitarian mindset recalls that of Soviet-era dissidents . . . tragic and elegiac . . . garnished with both horror and tenderness." ―The Economist

"Ma Jian has been a courageous critic of President Xi Jinping’s regime . . . Ma Daode, the main character, is director of the Chinese Dream Bureau, which is as creepily Orwellian as it sounds and makes Mao’s Cultural Revolution look like minor tinkering.” –Max Davidson, The Irish Mail

"A short, highly satirical work no less excoriating than any of Ma’s previous fiction, translated in a graphic, stylish manner by [Flora] Drew, [the author's wife and longtime translator]." ―Catherine Taylor, Financial Times

"Ma has a marksman’s eye for the contradictions of his country and his generation, and the responsibilities and buried dreams they carry. His perceptiveness, combined with a genius for capturing people who come from all classes, occupations, backgrounds and beliefs; for identifying the fallibility, comedy and despair of living in absurd times, has allowed him to compassionately detail China’s complex inner lives. Censoring his novels and banning his name have been Beijing’s cynical response to Ma’s artistry, and to the human lives that the novelist cannot forget, even as the Chinese Dream envelops them." ―Madeleine Thien, author of Do Not Say We Have Nothing

"Ma’s biting voice lays bare a brutal reality that cannot be ignored." ―Suyin Haynes, Time

"Jian, whose work has been banned in China for the past 30 years, creates a dystopian present-day China in this narrative about power, history and the effects of materialism on a society." ―Annabel Gutterman, Time, 1 of the 10 New Books You Should Read This Month

"A startling exposé of China’s moral crises in the rare dystopian book that is set in the present-day, rather than the future. That it’s an absurd, wild ride makes its eye-opening effect that much more unsettling." ―David Canfield, Entertainment Weekly, 1 of 20 New Books to Read This Month

"Weaving together traditional wisdom and contemporary references, the book creates a richly textured world as its protagonist confronts two versions of himself: the youth who was prepared to kill for ideological purity and the middle-aged man who believes that an unhindered future depends on erasing the past." ―The New Yorker

"Novelists like Ma Jian (especially his recent China Dream) are producing sly and savage works of international literature, exploring―and exploding―the implications of China’s recent accelerated modernization program and its global economic ambitions under the leadership of Xi." ―Joseph Salvatore, The Los Angeles Times

"Ma surreally collapses past and present, undoing Xi’s work with every ironic reversal and juxtaposition." ―Boris Kachka, Vulture, 1 of 8 New Books You Should Read This Month

"A bold, searing indictment of present-day China and a lyrical exposé of the false utopia created by the Communist Party and its current leader-for-life, Xi Jinping . . . [China Dream] is an inventive yet powerful confrontation of China’s past and present." ―Publishers Weekly (starred review)

"[A] deeply felt satire . . . Perhaps most absurd, Ma Jian seems to suggest, is the government's attempts to bury a past filled with so many skeletons. There will always be people like Ma Daode who remember even what they'd rather forget." ―Hank Stephenson, Shelf Awareness

"Ma (The Dark Road, 2013) has forged an impressive literary career by criticizing the government of the country of his birth, from which his work has been banned for 25 years. His latest novel presents his sharpest and most intimate vision yet, one that delves into the everyday lives of the wealthy elite . . . In his startling and irreverent parody, Ma finds compassion amid the sex and violence that shape a history of injustice and a nation's vulnerability." ―Booklist (starred review)

"A masterwork of political satire, meaningful without heavy-handedness." ―Kirkus Reviews (starred review)

"[A] a short, sharp-toothed satire of Xi Jinping’s China . . . China Dream is funny in a kind of hopeless way―the title itself comes from a slogan popularized by the Chinese government in 2013, and a Red Guard–themed orgy scene halfway through reads like a nightmare―and it raises questions about political violence and the suppression of memory that stay with you long after the book has ended." ―Rhian Sasseen, The Paris Review Daily

“A chilling dystopian novel, China Dream will leave you breathless and shaken. Ma Jian’s brilliance is astounding and reverberates with a sort of cryptic, jaded humor throughout the book with an almost physical insistence.” ―Kelsey Chen, The Harvard Crimson

"Highbrow, brilliant." ―New York, The Approval Matrix

"It’s a subversive, dark tale that seems to tell a dystopian vision of China’s future but really is a cultural commentary on the country’s status today." ―Swapna Krishna, SyFy Wire

"Wrenching . . . makes President Xi’s vision of national prosperity look like a recipe for insanity." ―Simon Willis, 1843

"[Ma Jian] is one of the most respected and discussed of all contemporary Chinese authors . . . His devastating wit and experimental style are used to deconstruct both the history and the political reality of everyday life in China." ―World Literature Today

"China Dream is a magnificent work in its unerring take on China, Ma Jian giving voice to the ghosts and memories of a silenced nation." ―Mike Cormack, South China Morning Post Magazine

"It’s a wonderfully well-paced, absorbing, darkly satirical and even funny at times." ―UK Press Syndication

"A scathing satire of the absurd reality facing a silenced nation" ―South China Morning Post

"China Dream’s strengths lie in its description of the horrors of the Cultural Revolution―Ma Jian has a Proustian sensibility with the brutal eye of Isaac Babel." ―Nishant Batsha, Ploughshares

"With brutal and delicious irony, China Dream deconstructs the falsity of national pride build on sanitized, idealized visions of the past, contrasting dreams of a golden, utopian China with the gruesome reality of history . . . It’s ruthless and sometimes horrifying satire of the danger posed by a government that believes it owns history, and a cautionary tale to any who would think to ignore such painful truths. It’s a book for today, and a book for the world.” ―Sam Reader, The B&N Sci-Fi and Fantasy Blog

"Ma Jian’s brutal political discourse would be nothing without the power and creativity he wields as a writer. His level of detail is damning." ―Katie Smith, Barrelhouse

"A master of inimitable humour. Always hilarious, thought-provoking, and immensely moving." ―Jung Chang, author of Wild Swans and Empress Dowager Cixi

"In a not-too-unfamiliar dystopic China, Ma Daode is appointed head of the China Dream Bureau, a government agency that erases civilians’ dreams and replaces them with the president’s authoritarian propaganda for a better China. In a series of dream sequences, Ma Daode plans an epic golden wedding anniversary for him and his wife but is simultaneously plagued by his own violent and tragic memories of the Cultural Revolution. As Ma Daode’s past bubbles to the surface, threatening his inner peace and adherence to the president’s dream of China’s 'rejuvenation,' Ma Jian crafts a hauntingly frantic but poignant narrative about retribution and reconciliation. As he comes to realize that the only way to be at peace in his mind is to erase these memories once and for all, Ma Daode’s confrontation with his country’s history serves as a painful but necessary exploration of the effects of totalitarian and authoritarian regimes. Ma Jian’s prose, banned in China, is unflinching and razor-sharp, combining political critique with a gripping narrative that will leave you devouring the final pages." ―Morgan McComb, The Raven Book Store (Lawrence, KS)

"As horrifying and unbelievable as this short novel was, the impact was profound. Ma Jian's satirical but real analysis of the upper echelons of the Chinese Communist wealthy and the undeniable need for the human spirit to be granted freedom are loud and deep." ―Lauren Nopenz Fairley, Curious Iguana (Frederick, MD)

Praise for The Dark Road

"In The Dark Road, as in Beijing Coma, Mr. Ma is adept at jolting our senses, transporting us, with a few words about a pain, a taste or an odor, to those parts of China, and millions of people, who exist on the far fringes of the economic miracle. "―The New York Times

"Unflinching and luridly revealing." ―The New Yorker

"As powerful a China novel as any I’ve read." ―Stephen Mosher, The Washington Times

"The Dark Road is arguably one of the most painfully gritty and important books of the year." ―Bustle

"Deeply compelling." ―Bookforum

Praise for Beijing Coma

"An extraordinarily effective novel . . . for all its savagery, it is one of the most optimistic novels I've encountered in a long time." ―Jess Row, The New York Times Book Review

"[A] masterful new novel . . . Ma Jian offers the Chinese people an avenue through which to retrieve their souls." ―Belle Yang, The Washington Post

"There are passages of extraordinary power, which, in chronicling the horrors perpetrated by the Chinese government in the Mao era and after, belong in the pantheon of dissident literature." ―Michiko Kakutani, The New York Times

"Evocative . . . Part of what gives [Beijing Coma] its highly energized, manic edge is the fierceness of Ma Jian's conviction that it might be possible for a work of literature to function as a lifeline to cast out into the world." ―Francine Prose, The New York Review of Books

"So remarkable is it that we should suddenly receive this gift, an account of Tiananmen as breathless as John Reeds' gee-whiz account of the Russian Revolution, Ten Days that Shook the World, I've almost neglected to mention how carefully Ma Jian constructs his time capsule." ―John Leonard, Harper's Magazine

"An epic novel that reminds us of the capacity of fiction to stir the conscience and exhorts us to believe in the power of even one voice." ―Tom Cooper, St. Louis Post-Dispatch

"A courageous and clarion writer." ―Donna Seaman, Booklist

Praise for The Noodle Maker

"One of the most important and courageous voices in Chinese literature." ―Gao Xingjian, winner of the 2000 Nobel Prize for Literature

"A superb comedian . . . this antic nihilist is hard to beat." ―Los Angeles Times

"These stories reflect the changing repressive conditions of modern China . . . Two friends tell each other absurd stories in which a strange cast of characters negotiate the narrow space between party rules and criminal ‘bourgeois liberalism.’" ―The Boston Globe

"Clever and humorous . . . Constructed with a good deal of artfulness . . . Fans of the absurdity and dark humor of Milan Kundera’s portraits of life behind the Iron Curtain will appreciate these same elements in Ma Jian’s work." ―The Baltimore Sun

"Milan Kundera with a laugh track . . . One writer especially unafraid to flip off the Old Guard [and] still too punk to be found on Chinese bookshelves, even today." ―Nerve.com

"Brave New World territory, where national euphemisms attempt to obscure the nation's true horrors . . . Richly drawn characters . . . The Noodle Maker is a remarkable achievement." ―Time Out New York

"Here, black comedy meets eviscerating social commentary . . . Jian blends fact and fantasy with such beauty that China appears as potent a land for fiction as it is implausible for free speech." ―V Magazine

"Playful and wonderfully dark, it confirms Jian as a Chinese Kundera or Mrozek or Gogol. The funniest book I’ve read in a long time." ―Philip Marsden, author of The Bronski House

"Mordantly satirical fiction to capture the grim paradoxes of late-twentieth-century China . . . Ma Jian mixes in sections of the writer’s fragmented yet utterly involving novel . . . Echoing Gogol and offering an urban variation on the themes of Nobel Prize-winner Gao Xingjian, Ma Jian presents a bleak yet compelling vision of an aberrant society in which people are caught in the grip of capricious and treacherous power and starved for kindness, beauty, and reason." ―Booklist

"Ma's spare meal of a novel provides an excellent counterpoint to the sumptuous lyrical banquet Soul Mountain by Nobel Prize winner and fellow expatriate Gao Xingjian." ―Publishers Weekly

"Succinct and right on target . . . Blistering satire." ―Kirkus Reviews

Praise for Stick Out Your Tongue

"Extraordinary . . . Ma Jian has burned through the fog of fantasy that clouds our vision of Tibet: He has shown us how poverty and political repression have deformed its once rich and vibrant culture." ―Francine Prose, People

"These powerful pages . . . are hard to shake from one's memory and remain . . . testimony to the storytelling artistry of Ma Jian." ―The Washington Post

"The people Ma Jian transfigures, the images of a Tibet where the living and the dead seem to mingle with beauty and unease, all this becomes quite a striking souvenir of our own high altitude pilgrimage through these exotic pages." ―NPR's "All Things Considered"

"A succinct, haunting...