Loosed upon the World: The Saga Anthology of Climate Fiction - Softcover

John Joseph Adams is the series editor of Best American Science Fiction & Fantasy. He is also the bestselling editor of many other anthologies, such as The Mad Scientist’s Guide to World Domination, Armored, Brave New Worlds, Wastelands, and The Living Dead. Recent books include The Apocalypse Triptych (consisting of The End is Nigh, The End is Now, and The End Has Come), and series editor for The Best American Fantasy and Science Fiction. John is a two-time winner of the Hugo Award and is a six-time World Fantasy Award finalist. John is also the editor and publisher of the digital magazines Lightspeed and Nightmare, and is a producer for WIRED’s The Geek’s Guide to the Galaxy podcast.

Loosed upon the World SHOOTING THE APOCALYPSE

PAOLO BACIGALUPI

If it were for anyone else, he would have just laughed in their faces and told them they were on their own.

The thought nagged at Timo as he drove his beat-up FlexFusion down the rutted service road that ran parallel to the concrete-lined canal of the Central Arizona Project. For any other journo who came down to Phoenix looking for a story, he wouldn’t even think of doing them a favor.

All those big names looking to swoop in like magpies and grab some meaty exclusive and then fly away just as fast, keeping all their page views and hits to themselves . . . he wouldn’t do it.

Didn’t matter if they were Google/NY Times, Cherry Xu, Facebook Social Now, Deborah Williams, Kindle Post, or Xinhua.

But Lucy? Well, sure. For Lucy, he’d climb into his sweatbox of a car with all his camera gear and drive his skinny brown ass out to North Phoenix and into the hills on a crap tip. He’d drive this way and that, burning gas trying to find a service road, and then bump his way through dirt and ruts, scraping the belly of the Ford the whole way, and he still wouldn’t complain.

Just goes to show you’re a sucker for a girl who wears her jeans tight.

But it wasn’t just that. Lucy was fine, if you liked a girl with white skin and little tits and wide hips, and sometimes Timo would catch himself fantasizing about what it would be like to get with her. But in the end, that wasn’t why he did favors for Lucy. He did it because she was scrappy and wet and she was in over her head—and too hard-assed and proud to admit it.

Girl had grit; Timo could respect that. Even if she came from up north and was so wet that sometimes he laughed out loud at the things she said. The girl didn’t know much about dry desert life, but she had grit.

So when she muttered over her Dos Equis that all the stories had already been done, Timo, in a moment of beery romantic fervor, had sworn to her that it just wasn’t so. He had the eye. He saw things other people didn’t. He could name twenty stories she could still do and make a name for herself.

But when he’d started listing possibilities, Lucy shot them down as fast as he brought them up.

Coyotes running Texans across the border into California?

Sohu already had a nine-part series running.

Californians buying Texas hookers for nothing, like Phoenix was goddamn Tijuana?

Google/NY Times and Fox both had big spreads.

Water restrictions from the Roosevelt Dam closure and the drying-up of Phoenix’s swimming pools?

Kindle Post ran that.

The narco murders that kept getting dumped in the empty pools that had become so common that people had started calling them “swimmers”?

AP. Fox. Xinhua. LA Times. The Talisha Brannon Show. Plus the reality narco show Hard Bangin’.

He kept suggesting new angles, new stories, and all Lucy said, over and over was, “It’s been done.” And then she’d rattle off the news organizations, the journos who’d covered the stories, the page hits, the viewerships, and the click-thrus they’d drawn.

“I’m not looking for some dead hooker for the sex and murder crowd,” Lucy said as she drained her beer. “I want something that’ll go big. I want a scoop, you know?”

“And I want a woman to hand me a ice-cold beer when I walk in the door,” Timo grumped. “Don’t mean I’m going to get it.”

But still, he understood her point. He knew how to shoot pictures that would make a vulture sob its beady eyes out, but the news environment that Lucy fought to distinguish herself in was like gladiatorial sport—some winners, a lot of losers, and a whole shit-ton of blood on the ground.

Journo money wasn’t steady money. Wasn’t good money. Sometimes, you got lucky. Hell, he’d got lucky himself when he’d gone over Texas way and shot Hurricane Violet in all her glory. He’d photographed a whole damn fishing boat flying through the air and landing on a Days Inn, and in that one shot he knew he’d hit the big time. Violet razed Galveston and blasted into Houston, and Timo got page views so high that he sometimes imagined that the cat 6 had actually killed him and sent him straight to Heaven.

He’d kept hitting reload on his PayPal account and watched the cash pouring in. He’d had the big clanking cojones to get into the heart of that clusterfuck, and he’d come out of it with more than a million hits a photo. Got him all excited.

But disaster was easy to cover, and he’d learned the hard way that when the big dogs muscled in, little dogs got muscled out. Which left him back in sad-sack Phoenix, scraping for glamour shots of brains on windshields and trussed-up drug bunnies in the bottoms of swimming pools. It made him sympathetic to Lucy’s plight, if not her perspective.

It’s all been done, Timo thought as he maneuvered his Ford around the burned carcass of an abandoned Tesla. So what if it’s been motherfucking done?

“There ain’t no virgins, and there ain’t no clean stories,” he’d tried to explain to Lucy. “There’s just angles on the same-ass stories. Scoops come from being in the right place at the right time, and that’s all just dumb luck. Why don’t you just come up with a good angle on Phoenix and be happy?”

But Lucy Monroe wanted a nice clean virgin story that didn’t have no grubby fingerprints on it from other journos. Something she could put her name on. Some way to make her mark, make those big news companies notice her. Something to grow her brand and all that. Not just the day-to-day grind of narco kills and starving immigrants from Texas, something special. Something new.

So when the tip came in, Timo thought what the hell, maybe this was something she’d like. Maybe even a chance to blow up together. Lucy could do the words, he’d bring the pics, and they’d scoop all the big-name journos who drank martinis at the Hilton 6 and complained about what a refugee shit hole Phoenix had become.

The Ford scraped over more ruts. Dust already coated the rear window of Timo’s car, a thick beige paste. Parallel to the service road, the waters of the Central Arizona Project flowed, serene and blue and steady. A man-made canal that stretched three hundred miles across the desert to bring water to Phoenix from the Colorado River. A feat of engineering, and cruelly tempting, given the ten-foot chain link and barbed wire fences that escorted it on either side.

In this part of Phoenix, the Central Arizona Project formed the city’s northern border. On one side of the CAP canal, it was all modest stucco tract houses packed together like sardines stretching south. But on Timo’s side, it was desert, rising into tan and rust hill folds, dotted with mesquite and saguaro.

A few hardy subdivisions had built outposts north of the CAP’s moat-like boundary, but the canal seemed to form a barrier of some psychological significance, because for the most part, Phoenix stayed to the south of the concrete-lined canal, choosing to finally build itself into something denser than lazy sprawl. Phoenix on one side, the desert on the other, and the CAP flowing between them like a thin blue DMZ.

Just driving on the desert side of the CAP made Timo thirsty. Dry mouth, plain-ass desert, quartz rocks, and sandstone nubs with a few creosote bushes holding onto the dust and waving in the blast furnace wind. Normally, Timo didn’t even bother to look at the desert. It barely changed. But here he was, looking for something new—

He rounded a curve and slowed, peering through his grimy windshield. “Well, I’ll be goddamned. . . .”

Up ahead, something was hanging from the CAP’s barrier fence. Dogs were jumping up to tug at it, milling and barking.

Timo squinted, trying to understand what he was seeing.

“Oh, yeah. Hell, yes!”

He hit the brakes. The car came grinding to a halt in a cloud of dust, but Timo was already climbing out and fumbling for his phone, pressing it to his ear, listening to it ring.

Come on, come on, come on.

Lucy picked up.

Timo couldn’t help grinning. “I got your story, girl. You’ll love it. It’s new.”

* * * *

The dogs bared their teeth at Timo’s approach, but Timo just laughed. He dug into his camera bag for his pistol.

“You want a piece of me?” he asked. “You want some of Timo, bitches?”

Turned out they didn’t. As soon he held up the pistol, the dogs scattered. Animals were smarter than people that way. Pull a gun on some drunk California frat boy and you never knew if the sucker was still going to try and throw down. Dogs were way smarter than Californians. Timo could respect that, so he didn’t shoot them as they fled the scene.

One of the dogs, braver or more arrogant than the rest, paused to yank off a final trophy before loping away; the rest of the pack zeroed in on it, yipping and leaping, trying to steal its prize. Timo watched, wishing he’d pulled his camera instead of his gun. The shot was perfect. He sighed and stuffed the pistol into the back of his pants, dug out his camera, and turned to the subject at hand.

“Well, hello, good-looking,” he murmured. “Ain’t you a sight?”

The man hung upside down from the chain link fence, bloated from the Phoenix heat. A bunch of empty milk jugs dangled off his body, swinging from a harness of shoelace ties. From the look of him, he’d been cooking out in the sun for at least a day or so.

The meat of one arm was completely desleeved, and the other arm . . . well, Timo had watched the dogs make off with the poor bastard’s hand. His face and neck and chest didn’t look much better. The dogs had been doing some jumping.

“Come on, vato. Gimme the story.” Timo stalked back and forth in front of the body, checking the angles, considering the shadows and light. “You want to get your hits up, don’t you? Show Timo your good side, I make you famous. So help me out, why don’t you?”

He stepped back, thinking wide-frame: the strung-up body, the black nylon flowers woven into the chain link around it. The black, guttered candles and cigarettes and mini liquor bottles scattered by the dogs’ frenzied feeding. The CAP flowing behind it all. Phoenix beyond that, sprawling all the way to the horizon.

“What’s your best side?” Timo asked. “Don’t be shy. I’ll do you right. Make you famous. Just let me get your angle.”

There.

Timo squatted and started shooting. Click-click-click-click—the artificial sound of digital photography and the Pavlovian rush of sweaty excitement as Timo got the feel.

Dead man.

Flowers.

Candles.

Water.

Timo kept snapping. He had it now. The flowers and the empty milk jugs dangling off the dude. Timo was in the flow, bracketing exposures, shooting steady, recognizing the moment when his inner eye told him that he’d nailed the story. It was good. Really good.

As good as a cat 6 plowing into Houston.

Click-click-click. Money-money-money-money.

“That’s right, buddy. Talk to your friend Timo.”

The man had a story to tell, and Timo had the eye to see it. Most people missed the story. But Timo always saw. He had the eye.

Maybe he’d buy a top-shelf tequila to celebrate his page-view money. Some diapers for his sister Amparo’s baby. If the photos were good, maybe he’d grab a couple syndication licenses, too. Swap the shit-ass battery in the Ford. Get something with a bigger range dropped into it. Let him get around without always wondering if he was going to lose a charge.

Some of these could go to Xinhua, for sure. The Chinese news agencies loved seeing America ripping itself to shit. BBC might bite, too. Foreigners loved that story. Only thing that would sell better is if it had a couple guns: America, the Savage Land or some shit. That was money, there. Might be rent for a bigger place. A place where Amparo could bail when her boyfriend got his ass drunk and angry.

Timo kept snapping photos, changing angles, framing and exposure. Diving deeper into the dead man’s world. Capturing scuffed-up boots and plastic prayer beads. He hummed to himself as he worked, talking to his subject, coaxing the best out of the corpse.

“You don’t know it, but you’re damn lucky I came along,” Timo said. “If one of those citizen journalist pendejo lice got you first, they wouldn’t have treated you right. They’d shoot a couple shitty frames and upload them social. Maybe sell a Instagram pic to the blood rags . . . but they ain’t quality. Me? When I’m done, people won’t be able to dream without seeing you.”

It was true, too. Any asshole could snap a pic of some girl blasted to pieces in an electric Mercedes, but Timo knew how to make you cry when you saw her splattered all over the front pages of the blood rags. Some piece of narco ass, and you’d still be bawling your eyes out over her tragic death. He’d catch the girl’s little fuzzy dice mirror ornament spattered with blood, and your heart would just break.

Amparo said Timo had the eye. Little bro could see what other people didn’t, even when it was right in front of their faces.

Every asshole had a camera these days; the difference was that Timo could see.

Timo backed off and got some quick video. He ran the recording back, listening to the audio, satisfying himself that he had the sound of it: the wind rattling the chain link under the high, hot Arizona sky; meadowlark call from somewhere next to the CAP waters; but most of all, the empty dangling jugs, the three of them plunking hollowly against each other—a dead man turned into an offering and a wind chime.

Timo listened to the deep thunk-thunk-thunk tones.

Good sounds.

Good empty desert sounds.

He crouched and framed the man’s gnawed arm and the milk jugs. From this angle, he could just capture the blue line of the CAP canal and the leading edge of Phoenix beyond: cookie-cutter low-stories with lava-rock front yards and broke-down cars on blocks. And somewhere in there, some upstanding example of Arizona Minuteman militia pride had spied this sucker scrambling down the dusty hillside with his water jugs and decided to put a cap in his ass.

CAP in his ass, Timo chuckled to himself.

The crunch of tires and the grind of an old bio-diesel engine announced Lucy’s pickup coming up the dirt road. A trail of dust followed. Rusty beast of flex fuel, older than the girl who drove it and twice as beat-up, but damn, was it a beast. It had been one of the things Timo liked about Lucy soon as he met her. Girl drove a machine that didn’t give a damn about anything except driving over shit.

The truck came to a halt. The driver’s side door squealed aside as Lucy climbed out. Army green tank top and washed-out jeans. White skin, scorched and bronzed by Arizona sun, her reddish brown hair jammed up under an ASU Geology Department ball cap.

Every time he saw her, Timo liked what he saw. Phoenix hadn’t dried her right, yet, but still, she had some kind of tenacious-ass demon in her. Something about the way her pale blue skeptical eyes burned for a story told you that once she bit in, she wouldn’t let go. Crazy-ass pitbull. The girl and the truck were a pair. Unstoppable.

“Please tell me I didn’t drive out here for a swimmer,” Lucy said as she approached.

“What do you think?”

“I think I was on the other side of town when you called, and I had to burn diesel to get here.”

She was trying to look jad...