About the Author:
Throughout his career, Gregg Olsen has demonstrated an ability to create a detailed narrative that offers readers fascinating insights into the lives of people caught in extraordinary circumstances.
A New York Times bestselling author, Olsen has written eight nonfiction books, five novels, and contributed a short story to a collection edited by Lee Child.
The award-winning author has been a guest on dozens of national and local television shows, including educational programs for the History Channel, Learning Channel, and Discovery Channel. He has also appeared on Dateline NBC, William Shatner's Aftermath, Deadly Women on Investigation Discovery, Good Morning America, The Early Show, The Today Show, FOX News; CNN, Anderson Cooper 360, MSNBC, Entertainment Tonight, CBS 48 Hours, Oxygen's Snapped, Court TV's Crier Live, Inside Edition, Extra, Access Hollywood, and A&E's Biography.
The Deep Dark was named Idaho Book of the Year by the ILA and Starvation Heights was honored by Washington's Secretary of State for the book's contribution to Washington state history and culture.
All of his books are available in the Kindle format.
From Publishers Weekly:
In his first novel, true crime writer Olsen (The Deep Dark) brings complex mystery and crackling authenticity to bear on a cold case police procedural. Hannah Griffin has spent most of her life trying to forget the notorious Christmas Eve house fire that claimed her family and turned up almost two dozen other bodies buried in their yard; though the case remained unsolved, Hannah's mother became, posthumously, the de facto prime suspect. Twenty years later, Hannah's a happily married mother of one, a crime scene investigator for Santa Louisa, Calif., and a lifetime away from her traumatic Oregon childhood—until a series of mysterious events indicates that her mother may still be alive. Hannah reopens the case, as well as old wounds, after enlisting the help of FBI Special Agent Jeff Bauer, the still-haunted chief officer from the original investigation. Thanks to Olsen's true-crime work, the case's particulars—both grisly and mundane—all carry genuine weight, though his characters can be cloying: Hannah's neuroses occasionally seem more dingbat than damaged, and Agent Bauer's tough-but-tender act is a familiar one. That said, Olsen's flashback narrative shines with lurid, carefully distributed details, and if it ultimately overshadows the present-day plot, his bizarre, many-layered mystery will keep fans of crime fiction hooked. (Mar.)
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