In the Wolf's Mouth - Softcover

Praise for "The Quickening Maze

""It has been a while since I have read a book as richly sown with beauty . . . A remarkable work, remarkable for the precision and vitality of its perceptions and for the successful intricacy of its prose." --James Wood, "The New Yorker"

"Adam Foulds writes like an angel about devilish things . . . He is fearsomely unafraid of the darkness within humans and the darkness they are capable of creating around them. The supple, sensuous beauty of his prose is bewitching: like the helpless children of Hamelin we follow wherever he chooses to lead, however horrifying the terrain, enchanted by the unstoppable flow of rich, unforgettable images." --Rebecca Abrams, "Financial Times""Foulds acknowledged mastery as a novelist and as a poet . . . is often apparent in this book: in the ambiguous dialogues between strangers revealing unspoken intimacies, in the delicately clipped snippets of everyday life recalled in the confusion of war, in the lyrical broken-up sentences that mirror the physical and mental shattering of the ongoing slaughter." --Alberto Manguel, "The Guardian""Adam Foulds is a young British novelist of striking talent and eclecticism. His style is first-rate, combining precision with a rich poetic imagination. He is able to do more with language, and at greater depth, than most other British novelists of his generation." --Andrew Holgate, "The Sunday Times""On the level of the sentence, there's much to admire in this novel. Foulds has a searching eye for detail and an apparently helpless compulsion to wring imagery from his subject." --Tim Martin, "The Telegraph""Combining careful, considered prose with horrific realism, the latest from Foulds expertly renders the Allied campaigns in Italy and North Africa during WWII . . . readers will be amazed at this deeply felt, vivid novel." --"Publishers Weekly "(Pick of the Week)"Foulds writes like no one else; while individual scenes are rendered with poetic simplicity, they fit together into an elliptical, complex plot readers will puzzle over long after finishing this novel." --"Kirkus ""It's in these battle scenes where Foulds excels. The writer manages to combine the horrors and banalities of war in the same sentence. . . . Here, Foulds, a Costa awa

Praise for "In the Wolf's Mouth""Electric . . . Mr. Foulds powerfully achieves what Stephen Crane called the 'psychological portrayal of fear' . . . fiercely memorable fiction." --"The Wall Street Journal""In the hands of award-winning poet Foulds, this combat narrative promises to remind us, via the revitalizing power of great writing, what war really feels and looks like." --Daniel Lefferts, "Bookish.com""Prose that flashes like the bullets and explosions it evokes." --Laurie Greer, Politics and Prose"A harsh illumination of the broken mess that most war amounts to." --John Domini, "Bookforum""Combining careful, considered prose with horrific realism, the latest from Foulds expertly renders the Allied campaigns in Italy and North Africa during WWII." --"Publishers Weekly" (Pick of the Week)"Adam Foulds writes like an angel about devilish things . . . He is fearsomely unafraid of the darkness within humans and the darkness they are capable of creating around them. The supple, sensuous beauty of his prose is bewitching: like the helpless children of Hamelin we follow wherever he chooses to lead, however horrifying the terrain, enchanted by the unstoppable flow of rich, unforgettable images." --Rebecca Abrams, "Financial Times""Foulds acknowledged mastery as a novelist and as a poet . . . is often apparent in this book: in the ambiguous dialogues between strangers revealing unspoken intimacies, in the delicately clipped snippets of everyday life recalled in the confusion of war, in the lyrical broken-up sentences that mirror the physical and mental shattering of the ongoing slaughter." --Alberto Manguel, "The Guardian""Adam Foulds is a young British novelist of striking talent and eclecticism. His style is first-rate, combining precision with a rich poetic imagination. He is able to do more with language, and at greater depth, than most other British novelists of his generation." --Andrew Holgate, "The Sunday Times""On the level of the sentence, there's much to admir